Death, Natural and Not

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“The moment you accept your own death, something in you changes.”* Words spoken by a Ukrainian refugee slumped on a shelter bed, phone in hand. Resigned. Her words resonate, a reminder of my mother’s decline. 

Mom has changed. She says very little, sleeps a lot. No more raging temper tantrums over how much butter there is on the toast. Little things matter little, big things less. Nothing big like Russian planes threaten Mom. Nothing external. Nothing like this Ukrainian woman faces. And yet she is upended. Shuttling from hospital to rehab, death has crept inside my mother, weighing her down.

* From The Economist April 30, 2022 “The Wreckage Within.”

Migrants

Photo by Peter Kessler

They flew in shield shape, banking together. Not a bird was out of formation. The fluid group landed in a mulberry where they plucked juicy fruit, bringing the tree to life with their acrobatics and mid-air high jinx.

Such handsome fellows, masked like robbers, with subtle rusty red and muted yellow highlights on their mourning dove grey cigar bodies.

My camera disrupts them, but not before I have a picture. A silent order travels through the troupe, wings flutter together, they move with one mind. They will be back; they have no choice. It’s how they earn a living.

Wildscape

Photo by Peter Kessler April 2022

There’s a bunny peeking from alyssum and rosemary where a rufous sided towhee, dressed in orange tails with black trim, dined last week. Earlier in the month, a flock of pale looking robins plucked hard blue berries from the ivy on our wooden fence. They ate what was left after cedar waxwings migrated through in February.

A cuckoo wasp, a white-lined hummingbird moth, butterflies, and two kinds of lizards populate a native meadow that grows where our thirsty grass withered away during past droughts. We leave culled weeds to compost and pruned branches to shelter wildlife. The yard has become a preserve.

Spinning Wool

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The cottage was set back from the street, not at all gingerbread as you might expect. No dwarfs or princesses resided in the bright kitchen where a woman with waist-length crone gray hair, sat at a rhythmically circling wheel. “I need to spin. Someone’s collecting the skeins tomorrow.”

I asked about doctor’s visits for a study of healthcare options at Stanford. She answered, skeptical that yearly physicals made much difference. All the while her fingers moved in a subtle dance pulling the fluff of wool into ivory yarn.

“This is what keeps me healthy,” she said. “This magic wheel heals.”

All Romantics Meet the Same Fate

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Your mother is annoyed. She barks at the receptionist, “It’s all her fault I’m late.” Four minutes. But it was Mom who lost the address.

“If you want me, I’ll be in the car.”

Windows down in the mad heat, waiting forever for an apology that never comes. Long enough to calm down.

She gets in, ragging, “You’re too sensitive.” Like that’s a criminal offense.

Her anger never stops. It circulates, accrues interest. She banks outrage. The only solution is to withdraw.

You will say, “I’m gone.” She will cry. You will come back. You just don’t know when.

As Told by the Cheshire Cat

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Red Queen to Red Queen, “I’m finished.”

Mom calls me in tears. “She makes me move, then leaves in the middle of packing.”

Mom doesn’t know what to do. She never expected my sister to abandon her.

I say that RQ is unpredictable. That she wants convenient proximity, not emotional closeness, that it’s always been this way.

Mom’s flash bang hysterics burst into a gotcha grin. I see it through the wires. She’s pulled me into family hell.

Cheshire Catlike, I disappear to draw maps of Crazy Crisis Wonderland, hoping to find a way out. But, there is no exit.

She’s Moving Though She’s Ninety Years Old.

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The walls are thin. After my mom and I argue, I meet her neighbor in the rec room and it seems she’s heard everything. What I said about wishing my mother wouldn’t move because her memory is bad. Because it takes time to make friends. Because she’s not old furniture for my sister to rearrange when it suits her.

Mom depends on my sister. I live in another state.

The neighbor said, “My daughter bought across town. She wanted me to find a place close by, but I stayed put. People are nice here. I depend more on myself, now.”

Watching from the Window: Revised

Parisian Interior by József Rippl-Rónai 1910
Photo by Monica McHenney

After a day at the easel, Rippl-Rónai relaxes with a view into the Parisian streets. He’s nearly fifty. He’s colored a blue tablecloth red. Seeing the world in patches of paint stiffened textures like corn on canvass. A new facture. Rough like the times. Fractured like a world before war.

Four years later, the Father of Modern Hungarian Art will be interned in a displaced person’s camp. Paris Interior, will be displayed in San Francisco, then lost in America until 1924. Conflict, pandemic flu. His art reflecting unrest, impatient crowds, and French Soldiers Marching. A tired, then hopeful, 1920 seems almost normal.

Watching from the Window

Painting József Rippl-Rónai 1910

Imagine the painter after a day at the easel in a room, now salon not studio. Le dejeuner cleared from the red tablecloth. He looks outside. A foreigner in Paris. Homesick for Hungary. Hopeful for himself, for his talent, and with good reason. He will become the Father of Modern Hungarian Art.

But not before he is tested. He will be interned in a displaced person’s camp as the Great War begins. Paris Interior, on exhibit in San Francisco, will be detained as enemy property, spoils. War, pandemic flu, it will be years before the world rights itself. Have faith.

Ruth Bader Ginsburg 1933- 2020

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“I don’t say women’s rights—I say the constitutional principle of the equal citizenship stature of men and women.”
― Ruth Bader Ginsburg

“the greatest menace to freedom is an inert people; …public discussion is a political duty; and… should be a fundamental principle of the American government.”
― Brandeis concurring with Holmes in Whitney vs. California, 1927

“He (Nabokov) used words to paint pictures. Even today, when I read, I notice with pleasure when an author has chosen a particular word, a particular place, for the picture it will convey to the reader.”
― Ruth Bader Ginsburg

Quotations from Goodreads in a review of Ginsburg’s book, My Own Words (2016)

https://www.goodreads.com/work/quotes/49756700-my-own-words