After a day at the easel, Rippl-Rónai relaxes with a view into the Parisian streets. He’s nearly fifty. He’s colored a blue tablecloth red. Seeing the world in patches of paint stiffened textures like corn on canvass. A new facture. Rough like the times. Fractured like a world before war.
Four years later, the Father of Modern Hungarian Art will be interned in a displaced person’s camp. Paris Interior, will be displayed in San Francisco, then lost in America until 1924. Conflict, pandemic flu. His art reflecting unrest, impatient crowds, and French Soldiers Marching. A tired, then hopeful, 1920 seems almost normal.